In the excellent book ‘On Trails: An Exploration’ by Robert Moor he wonders aloud about the paths beneath our feet. How do they form? Why do some get used more than others while others fade?
He investigates ants and highways and long-lost Cherokee trails in the rural South.
But on page 97 and 98 he talks about elephants and zebras and it made me think of culture making in general and poetry in particular and I wanted to tell you about it.
The story, in short, is that an ecologist put GPS collars on zebras in Botswana’s Okavango Delta to track their grazing patterns. It was thought that zebras didn’t really travel far from the delta. But at the onset of the rainy season the zebras disappeared and the researchers thought they must have been eaten by lions but six months later the zebras were tracked halfway across the country to nibble on the new grass of Makgadikgadi salt pan.
The ecologist found out that there used to be a large zebra migration but it ended in 1968 when the Botswana government put up miles of fences essentially ending the migratory route until 2004 when the fences were taken down. The fences were up for thirty-six years and zebras only live for about twelve years or so. There is great evidence that migration routes are taught and learned. No living zebra could have known about the salt pan hundreds of miles away – how to get there or what would be there. There was no grassy runway that marked the path, just Kalahari scrubland virtually the whole way. The zebras have been doing better as a population due to this restoration.
But why or how could the zebras have taken such a gamble?
The ecologist has done her research and is confident that the zebras followed the long lived and long memoried elephants. She speculates that ‘when the fence went down…some elephants remembered the old historical pathway that they used to take.’
We get cut off from old paths all the time and consider that the little space that we are confined to is what our lives are made of. But when a fence comes down it is not certain that you’ll suddenly bust out and run on your new found space clicking your heels together along the way.
Luckily the old mercies have it that not everyone forgets at the same time and in the case of the zebras they have a deeper re-made memory of the place they live and are from. Maybe reading old works and classic forms can broaden our ecology of what and where literary nourishment might be.
Anne Lamott writes in Bird by Bird -- What does the title Imperfect Birds mean?
It’s a line from a poem by Rumi. “Each must enter the nest left by the other imperfect birds”,
and it’s really about how these kinds of scraggly raggedy nests that are our lives are the sanctuary for other people to step into, and that if you want to see the divine you really step into the most absolutely ordinary. When you’re absolutely at your most lost and dejected… where do you go? You go to the nests left by other imperfect birds, you find other people who’ve gone through it. You find the few people you can talk to about it.
mmm, I am liking this animal story, which is really a practitioner story, of following the old ones and their memory to the place nourishment that was dislocated for longer than the lifespan of many of the ones that were cut off. And that those not of your exact kind, may hold the maps to where your old ones were nourished.